TV drama based on Richard Burton’s diaries, about his last performance in 1983 with ex-wife Elizabeth Taylor. They meet after several years and he agrees to her suggestion that they star in a stage revival on Broadway of Noel Coward’s comedy ‘Private Lives’, although Elizabeth Taylor has never before performed on stage. Burton soon regrets his agreement, however, when her pill-popping and lack of discipline causes problems already during the rehearsals. The play opens to a critical trashing, but is popular with audiences because they just want to see Taylor. After a two month troubled run, the curtain comes down and Taylor tells Burton she has always loved him and still does. A year later he is dead.

Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) – think Duke University – and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He’s an alcoholic, fresh out of rehab. He gradually becomes Duke’s gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him?

Jake Taylor has everything. He has a beautiful girl, he’s the champion in basketball and beer pong, and everyone loves him. Then, an old childhood friend, whom Jake used to be friends with, commits suicide. Jake begins to think. He wonders what he could’ve done to save his friend’s life. A youth minister tells him that Jake needs God. So Jake becomes a Christian. However, things begin to spin out of control. His dad is cheating on his mom, his girlfriend is pregnant, and his former friends ridicule and mock him. During all this, Jake is going to realize just what it means to be a Christian and how, to save a life.

Driving to a weekend getaway, a car breakdown strands young couple Don and Nancy (David James Elliot and Heather Marsden) while passing through a small, rural Louisiana town. Finding the couple on the roadside, the towns inhospitable Sheriff Taylor (Jeff Fahey) tells them therell be no one to repair their car before morning. He directs them to a nearby motel for the night run by Carter (Michael Madsen). Checking into the seedy, rundown establishment, Don and Nancy have no way of knowing how this place deals with outsiders. Badge aside, the Sherriff answers to Carter, as do a gang of twisted, masked kidnappers, torturers, and killers. By the time Don and Nancy realize whats happening, its too late to flee. They must fight to survive the night, or be the next victims of the Terror Trap…

Historical epic. The triumphs and tragedy of the Egyptian queen, Cleopatra.The winner of four Oscars, this epic saga of love, greed and betrayal stars Elizabeth Taylor as the passionate and ambitious Egyptian queen who’s determined to hold on to the throne and seduces the Roman emperor Julius Caesar (Rex Harrison). When Caesar is murdered, she redirects her attentions to his general, Marc Antony (Richard Burton), who vows to take power — but Caesar’s successor (Roddy McDowall) has other plans.

When Betty Anne Waters’ older brother Kenny is arrested for murder and sentenced to life in 1983, Betty Anne, a Massachusetts wife and mother of two, dedicates her life to overturning the murder conviction. Convinced that her brother is innocent, Betty Anne puts herself through high school, college and, finally, law school in an 18 year quest to free Kenny. With the help of best friend Abra Rice, Betty Anne pores through suspicious evidence mounted by small town cop Nancy Taylor, meticulously retracing the steps that led to Kenny’s arrest. Belief in her brother – and her quest for the truth – pushes Betty Anne and her team to uncover the facts and utilize DNA evidence with the hope of exonerating Kenny.

Mike Nichols’ film from Edward Albee’s play brought new themes to the film industry. Elizabeth Taylor and Richard Burton have never been more brilliant together as they portray an experienced married couple who love each other yet verbally attack one another when they see how boring their naïve newlywed guests have made their night.

The rumor of Slit mouth woman is blasting in LA. Claire (Lauren Taylor) sees the nightmare of her every night. She met the professor of the urban legends research and talk about the phenomenon. She finds out that the incidents are not just Slit mouth woman but the other urban legends from Japan. The professor assumes that some of the homicides are relates to Japanese Urban Legends and ghosts, which are actually happened in LA. A few days later, she scared of illusion of Japanese Urban Legends and realizes that she herself is turning into the woman.

The Hansen kids are in a jam. Adam and his best friend Duffy have gotten their hands on some tickets for the Headless Horseman concert, and his sister Chelsea has a date with her dreamy boyfriend Peter. The only problem is they’re both grounded. Chelsea and Adam will do whatever it takes to get their mom Lynette out of the house, even if it includes a chance meeting with a very mysterious man. Everything seems to go according to plan until their little brother Taylor realizes that this stranger might be a vampire.

Taylor, a former juvenile delinquent, convinces straight-‘A’ student, Cammi to join her and her friends on a Spring Break road trip through the California desert. Ignoring evil premonitions from Cammi, the 8 friends party heavily as they get farther and farther away from civilization along old Route 66 with a killer in pursuit. Anxiety builds as each stop along the way proves stranger and stranger until the group is lured to an abandoned amusement park with a mysterious past far off the main highway. There the group discovers that the park comes complete with broken down vintage carnival rides, shocking surprises, the smell of death, and an enticing, young tattooed serial killer named Spider.

When Max Taylor wins the ancestral home of Callum Chance in a game of Poker, little does he realize that the game is far from over… One by one, Max’s family are murdered by the Funny Man, a demonic jester with a varied and imaginative repertoire of homicidal techniques and an irreverent sense of humor. Meanwhile, Max’s brother is on his way to the mansion with a bunch on hitchhikers who will be lucky to survive the night.